Fujii Kaze Reveals Asia Ticketing Details for His First-Ever 'Prema World Tour' — A Cross-Border Run From Tokyo Dome to Bangkok and Seoul
- Jun 18
- 2 min read
Fujii Kaze has unveiled ticketing details for the Asia leg of his first-ever world tour, the "Prema World Tour." Carrying his all-English third album "Prema," the large-scale run stretches from domestic dome shows to Bangkok and Seoul, further raising his profile across Asia.
The tour gets fully underway in autumn 2026, moving through Kaohsiung, MIZUHO PayPay Dome Fukuoka, Kyocera Dome Osaka and Tokyo Dome, before reaching Bangkok's Supachalasai National Stadium in December and Seoul's Gocheok Sky Dome in January 2027. Ahead of it, a domestic arena run, the "Pre: Prema Tour," is set for July and August.
Fujii Kaze released "Prema," built around English lyrics, in 2025, and has widened his listener base abroad through a string of overseas festival appearances. This Asia dome-scale tour symbolizes a trend in which Japanese artists treat cities across Asia as live markets rather than staying within the domestic scene.
Dome- and stadium-scale cross-border tours hinge on coordination with local promoters, ticketing and payments in each market, and catalog readiness across streaming platforms. English-language work lowers language barriers and, combined with DSP playlist exposure and social spread, makes it easier to design mutual traffic between concert demand and streams.
Also Worth a Listen: "I Need U Back"
On the road toward "Prema," the danceable "I Need U Back" was another track that reached listeners abroad. Its visuals, directed by an overseas filmmaker, broaden the foundation for Fujii Kaze's music to be received across language regions.
The ZEN editorial team is watching how he keeps his domestic base while bringing Asia's domes within range. For creators gathered at ZEN CREATIVE LAB, the integrated view of English lyrics, local coordination and DSP optimization offers a useful reference for cross-border release strategy.
Sources: Fujii Kaze OFFICIAL SITE, Natalie, and others.
Comments